Thursday, March 15, 2012

The Moon That Embrace The Sun : Episode 7

sumber : www.dramabeans.com


 
Grown-up Yeon-woo finally reveals herself as the girls send Nok-young off at the dock. Nok-young warns her not to talk to strangers, and not to form connections with anyone while she’s gone. Yeesh, I know it’s risky, but are you planning to keep her caged?
The boat approaches, and who should be sleeping on deck, but weary traveler Yang-myung (Jung! Il! Woo!). He wonders to a fellow passenger why there are so many people about, and the man wonders how he didn’t know – that the king is arriving to greet this very town today.
Yang-myung chuckles as he thinks to himself that Yeon-woo has aligned the fates so that he has to see Hwon after all. Once ashore, he walks along the dock headed straight for Yeon-woo, and then passes her by without seeing her face.
Seol relishes the temporary freedom as much as Yeon-woo, and suggests they make a day of it in town, but they soon hear the announcement that the king is on his way here. Yeon-woo perks up just wanting to do something fun, while Seol immediately says no with a worried look. Yeon-woo pouts, but Seol says no, and drags her away.
 
The king’s royal entourage arrives outside the town, and he orders them to open the shade on his sedan, since the good people have gathered to see his face after all. Hyung-sun regretfully obliges, and then suggests he ought to smile then.
Hwon thinks that inappropriate, plus overkill on top of his pretty face. “Do you think it’s easy for a nation’s king to look like this?” PWAHAHAHA. I’m pretty sure Vain King is my favorite of Kim Soo-hyun’s modes. Woon smiles, and Hyung-sun cringes. Visibly.
 
The townspeople line up to gain entry to the area where the king will pass by, and Yeon-woo and Seol join the crowd after all. Sometimes the pout is mightier than the sword. Seol reminds her that they’re just here to get a quick look and that’s all. Yeon-woo promises to behave.
A mother and son stand ahead of them in line and are refused entry by the guards for being poor, and Yeon-woo steps up to talk back to the sentry, that he has no right to refuse her. Aw, that brings a smile to my face that she’s just as idealistic as ever.
 
He talks down to her and Seol reaches for her sword, but Yeon-woo looks the guard straight in the eyes and tells him why his wife really left, and why she’s cheating on him. Oooh, witchy powers, activate! She tells him he should stop drinking, otherwise he’ll die of alcohol poisoning, and sends him quaking in his boots.
Just then, Yang-myung causes some kind of disturbance down the line, and the guards head off running after him. Yeon-woo happily holds up the rope to let everyone pass. Seol yells at her for acting like a shaman again when she doesn’t have any mystical powers (HA) and then stops to wonder how she managed to know about that guard.
Yeon-woo tells her that’s not magic; it’s the power of deduction. She smelled alcohol on his breath, could tell he was a mean drunk who disrespected women, and saw how angrily he reacted to Seol, assuming that she was a good-looking young man. Put it all together, and you get your answer. How funny. I expected her to be a shaman, but this is even better.
 
They line up and bow as the king approaches. Yang-myung continues to get chased by the angry guards for something, but they all stop to bow, swearing to pick the argument back up afterwards.
Yang-myung bows along with everyone else, but lifts his head to see Hwon’s face, and Woon’s, and lets out a wistful smile. Aw. Why are you already breaking my heart?
Yeon-woo remains face to the ground, but a little yellow butterfly catches her attention, just like the day she first met Prince Hwon. It flutters away, making her lift her head, and she thoughtlessly stands up.
It’s then that she turns to see the king’s face as he approaches. It sends a wave of emotion through her, and she suddenly bursts into tears at the sight of him. Her standing up is enough of a disturbance that Yang-myung notices her, but doesn’t think much of it. Seol tries to get her to kneel, but it’s too late, and the guards start approaching. Seol grabs her hand and they take off running.
Yang-myung suddenly senses something about Yeon-woo and darts back up, just to see her being chased off by the guards. He runs after them. All this happens ahead of the king’s view, so he looks in their direction, but they’ve already disappeared into the crowd.
 
Seol and Yeon-woo run through the streets holding hands, and that suddenly sends Yeon-woo into a piecemeal flashback of the day she met Hwon, and he held her hand as they ran. As the girls hide, Yeon-woo asks if they’ve ever been chased like this before, and Seol says no. Yeon-woo wonders, “Then whose memories are these?”
At the same time, Yang-myung evades the guards and starts searching for Yeon-woo. He stops a girl dressed like her, and his face falls. He wonders to himself what he was expecting, when the girl he’s looking for is six feet under.
 
Meanwhile, the king takes a bath while Hyung-sun blathers on, trying to put him in a better mood. But Hwon doesn’t like any of his ideas, and turns to Woon, suggesting that he join him in the tub. Rawr? The servants in the room start scrambling from the awkward, and Hyung-sun sends them all scurrying out in a big hurry.
He warns the king that there are enough rumors about already, he needn’t make it worse by inviting Woon to share a bath. HEE. Is he suggesting what I think he’s suggesting? Hwon asks what he means by rumors.
 
Hyung-sun stammers that well, he keeps his distance from the queen… and keeps Woon close… Keh. Hwon turns to Hyung-sun: “Then do YOU want to join me in the bath?” Hyung-sun covers his chest and runs out of there like a scared little squirrel. Hwon smiles at Woon, “Finally… we are alone…” Pfft.
Outside Hyung-sun presses his ear to the door, “He couldn’t… possibly… Have his tastes changed?” HA. He scurries about frantically, when Yang-myung arrives to see the king. Hyung-sun knocks and knocks… but of course the bath is empty.
Hwon and Woon walk through the streets dressed as regular noblemen, and Hwon stops for a second, swearing he can hear Hyung-sun’s screams from here. Heh. On their walk, Hwon encounters what he’s really here to see – how people really live, and not just what they want to show the king.
They find streets lined with the homeless, struggling to survive. A little child runs into them on accident, and Hwon stops to ask him about his parents and puts money in his hand. He promises to find his father and send him home, assuring him that he’s high up enough to do so. Yeah, I’d say.
 
Woon stops short, sensing that they’re being followed by a spy. Hwon doesn’t flinch, knowing that they’ve been followed this whole time. He says good-naturedly that the diligent spy followed them all the way here, so should they play with him? Off they go, running in the other direction, into the woods.
They lose the tail and stop to catch their breath, and look up at the sky to see signs of rain. Hwon: “It’s Yeon-woo. Yeon-woo is falling.” Just then, he sees a vision of 13-year old Yeon-woo smiling at him from afar. She runs, and he instinctively runs after her.
Meanwhile, Nok-young meets the shaman who helped her hide, and he warns her that she’s messing with Fate – that the king is vulnerable because she’s split him up from the one who was destined to stay by his side and keep him safe.
 
She says that it’s a union already broken, but he assures her that the heavens will find a way to make it right. Nok-young argues that Yeon-woo has no memories, but the shaman tells her that you cannot erase their longing for each other. Nok-young worries for what pain Yeon-woo will face if thrown back on her rightful course.
Yeon-woo sits at home in a daze, and tells Seol that she’s finally figured out whom those memories belong to. Seol’s eyes dart back and forth in worry, but Yeon-woo says that it’s her mystical power, finally settling in. Seol knows that’s not the case, but doesn’t argue. They head outside, worried that Nok-young is running late.
Woon and Hwon wander the woods in the heavy fog, going in circles, until Hwon finally admits they’re lost. I like that it’s totally Hwon’s fault but Woon is the one to apologize – it’s like the default setting.
 
But a light appears in the distance – it’s the light from a lantern, but they see it as a big round circle, and Hwon murmurs, “Is it the moon?” The fog lifts slowly to reveal 13-year old Yeon-woo smiling at him.
He stares wide-eyed, but it’s just his mind playing tricks on him again, because the light approaches, and it’s grown-up Yeon-woo that stands before him. They both stand frozen at the sight of each other.
She brings them home and sets a small table for them, recognizing him as the king but not letting on. She tells them that she isn’t the head of this household, so Hwon asks who is. “Who were you waiting for, in the rain? Is there someone you’re waiting for?”
 
The proximity, the question, it suspends them both for a lingering moment. He asks about the stacks and stacks of books in the room, wondering why an orphaned girl cares to read so much.
She tells him that she wants to know about the world, and when he scoffs wondering what she could ever do with that knowledge, she says that she hopes it will help someone someday. It stirs his memory of Yeon-woo.
She adds that she’s discovered the joy of learning about the world through the eyes of scholars, and can’t stop. He stares at her curiously, as he flashes back to the witty and wise Yeon-woo who used to quote scholars.
In his head, Hwon thinks, “It couldn’t be. It isn’t possible for a dead girl to be alive. She just resembles her. This is a dream.” He tells himself that he’s mistaken her for someone else, or that his longing for her has turned itself into a ghost to haunt him. He quickly reaches for a drink to shake away the thought.
He tells Woon to have a drink as well, to warm himself from the cold. But Woon stoically refuses to bend the rules, even here. Yeon-woo turns to him, suggesting that it’s actually wrong for him not to drink, since no one’s tasted the king’s food to make sure it isn’t poisoned (a common practice for all things the king consumes).
Woon immediately reaches for his sword. Hwon pulls her close, inches from his face, “How do you know? How do you know that I am the king of Joseon?!” Ruh-roh. He demands to know if they’ve met before, taken up by the hope that his crazy idea might be true.
 
She swears that they haven’t, and he screams at her to tell him how then, how could she possibly know who he is? She stammers that she saw him today, when he came through the streets. The logical explanation sends him crashing back down to earth. He lets go of her arm and lets out a bitter laugh, as if taunting himself for his stupid expectations.
He sees that the rain has stopped, and tells Woon that it’s time to return. They step outside, and Hwon stops to ask Yeon-woo her name. She tells him that she doesn’t have one – that her guardian didn’t give her one so that she wouldn’t form connections with anyone. That’s the saddest thing I’ve ever heard.
She says that everyone just calls her agi, basically short for agasshi or “miss.” He looks up at the sky, and tells her that her name will be Wol (moon). He says it’s his payment for the warm drink, to give her a name. She repeats it to herself with a smile, “Wol. I have a name.”
That night, Yang-myung lies awake, speaking to Yeon-woo in his mind, wondering if she was there to see the king as well. He asks that in the next life, she would see him first, before his brother.
Hwon and Woon return to a harried Hyung-sun, and stop short to see Yang-myung there. He approaches with a respectful bow. Hwon doesn’t look very pleased to see his brother, and sternly asks if he’s come after all this time… and still refuses to show his face.
At that, Yang-myung lifts his head. Hwon: “Mm, you are as good-looking as ever.” Ha. He finally breaks into a big smile, and Yang-myung grins. AW. Even Woon smiles.
 
The brothers sit down for a drink, and Woon sits in the corner. They each try to coax Woon to join them, but of course he refuses. Yang-myung laughs that it won’t work – Woon will never bring a drink to his lips while on duty.
So Hwon offers up a bet: the one who gets Woon to drink gets a wish for anything they want. This is so awesome. Either way, Woon’s goin’ down. Yang-myung tries first, but Woon won’t budge, and Hwon finally pulls out the big guns, and ORDERS him to drink.
 
He complies, and Yang-myung laughs in surprise. He asks for the king’s wish. Hwon pours a drink and asks if Yang-myung is still carrying “her” in his heart. Yang-myung’s smile fades in an instant. But this is Hwon’s wish as the winner of the bet – that he answers the question. Tricksy! You didn’t say it’d be truth or dare!
Yang-myung: Even if she were still in my heart, she would still be dead. When I say I’ll forget her, I miss her, and when I miss her, I quickly forget – that is the human heart. I didn’t want to miss her or forget her, so the only thing I left in my heart is the reminder that she is no longer in this world.
Hwon repeats his words with a sigh, and each brother drinks.
The king returns to the palace and finds that the ministers have endowed more funds to a development project in his absence. He calls them out on spending more money while the people starve, and their defense is that it’s a project he approved.
So he declares that all the accounting be brought to him at once, and that by tomorrow, someone will be held responsible for any funds that have been misused. From all the scared faces, it looks like it’s quite the slush fund.
Later that night Minister Yoon meets with a shaman from Sungsucheong, offering her a promotion in exchange for her help in taming the king. She tells him that in the king’s absence she’s planted a talisman that she can use against him.
 
Queen Bo-kyung comes to see the king that night, and his servants have to beg him to even let her inside. She asks him to leave an heir, and that she’d even be willing to step aside and let him have a son with a concubine, because what matters is the future of this nation, not her feelings.
He shifts gears from his usual cold demeanor and says he now understands her true heart. She smiles, thinking she’s finally getting through to him. But then he leans on his hand, the cheeky, bitter bite coming back. He agrees to find a suitable concubine at once. Well THAT’s a plan that backfired. She looks up in shock.
He tells her that he dislikes everything about her, like the way she can say the opposite of what she means. I know she’s not exactly sympathetic, but I do feel sorry for her because he’s really harsh. He’s not wrong about her family and her motives, but oof, he’s so mean to her.
 
She gets up to go, and then stops with her back turned to him, asking how long he’s going to keep a dead woman in his heart, taking up the place where she should be. He suddenly clasps his hand to his heart, the pain in his chest causing him to seize and gag, until he passes out.
Bo-kyung doesn’t even realize it until she turns around and he’s already out cold. Doctors rush to his bedside, and outside the shaman’s talisman sits under his room, the source of his fits of pain. Thankfully he wakes up soon after.
The queen dowager uses this as the perfect excuse to call back the true head of Seungsucheong, declaring that this is happening because her powerful presence is lacking in the palace, to ward off evil. Yeah but the real evil is you, Grandma.
 
She plans to have Nok-young fight off the mystical curse-illness, and also break the ill will between king and queen. I’m not sure there’s a spell in heaven or hell to make this husband like his wife. Just sayin’.
Hwon stirs in bed, as Woon sits by. He asks Woon to find that girl again. “There’s something in her eyes. She’s hiding something from me.” He orders him to go find her. Woon sets off on horseback by morning.
He returns to Yeon-woo’s house, but finds it empty – not just empty, but hurriedly emptied, like they moved in a big hurry in the middle of the night. He picks up a stone from the floor.
In the morning, Princess Min-hwa screams in horror… at the sight of her bloated face, after eating late the night before. She wails that her husband will surely come to hate her when he sees her face, and that she’ll end up alone and wandering the streets, never having been properly loved. Haha, she cracks me up with her histrionics.
Yeom’s mother finds her distraught and gives him a talking-to for forgetting that he was supposed to be with Min-hwa last night, and chastises him for not being more assertive about that whole sharing-a-bed thing. Well I’m pretty sure being told to do so by your mother isn’t exactly… um… conducive, shall we say?
She says that it must’ve taken a lot for the princess to be the one to speak up about it, and he apologizes, saying that he must’ve fallen asleep while reading. I’m fairly certain that if you prefer to read, this is a bigger issue than forgetting.
 
Mom thinks so too, ’cause she asks if he’s avoiding her on purpose, but he swears he isn’t. He says that she’s still young though, still thinking of her more like a little sister. But Mom reminds him that she’s of age to have a child and then some (which kind of blows my mind, but that’s how they rolled back then) and that she’s not his sister, but his wife.
She adds that the princess has bestowed an immeasurable grace upon their family, and that his father said to his dying day that they shouldn’t forget it. Yeom assures her that he won’t.
 
The queen dowager sends a trio of ministers to bring Nok-young back to the palace, and they find her at her new home. She turns down their requests to return to Seongsucheong, and when they start getting curious about Yeon-woo, she tells them that she’ll come see the queen herself.
Meanwhile Yeon-woo heads out to town to find Seol, trying to use her new powers to see her. She puts her finger to her forehead, like an antenna (ha) to no avail. She wonders if her powers are gone, or if she never had them at all. But then, where did those memories come from?
What Nok-young doesn’t see is that one of the men eyes Yeon-woo as something more than just a curiosity. He orders his servants to capture her, and they head back toward the palace with Yeon-woo locked in a box.
She struggles to get out, and suddenly memories of waking up in her coffin start flashing back. She claws at the walls of the sedan and gasps for air.
As she clutches her heart, she wonders, startled: “Whose memory is this?”

The Moon That Embrace The Sun : Episode 6

sumber : www.dramakoding.com



 
Yeon-woo dies, leaving Hwon and her family grief-stricken. Yang-myung tears back into town just in time to see her coffin being buried, and he falls to the ground in tears.
Minister Yoon tells Bo-kyung to prepare to move to the palace, since she’ll be the prince’s bride now. Bo-kyung is unsettled as she asks her father, “Is she dead?” while thinking to herself the addendum, “Did you kill her?” Nice to know that at least she isn’t entirely sanguine about killing someone to get her way, even if the dark force is strong with this one.
But as she retires to her room, she recalls her father’s words of warning — that if she’s not ready to go this far, she shouldn’t harbor the ambitions in the first place. Basically: This is the big leagues, and we play hardball here. Get used to it or get out of the game.
Bo-kyung takes out the friendship bracelet Yeon-woo had made for Hwon but dropped at the ceremonial rites. Recalling how it felt to see the two lovebirds together, Dad’s words ring in her ear: “Remember the anger you feel when something has been stolen from you.”
Yang-myung comes to see Hwon, but it’s not comfort he offers. Instead, he asks what right Hwon has to ask after the burial, and her family. What did he do for Yeon-woo? “When she was cast out of the palace like a criminal, what did you do? When she was hovering between life and death, what did you do? When she was buried in the cold ground, what did you do?!”
 
Oof, this hurts, even though I understand his anger — his hurt at being without power and unable to do anything, watching someone with power not doing anything either.
Hwon yells at him to stop, but Yang-myung yells back that Hwon is the prince who has everything, like the king’s affection and the loyalty of his best friend. He asks brokenly, “Just one thing — could I not have just one thing?”
Hwon is shocked, never having realized Yang-myung’s feelings for Yeon-woo. Yang-myung continues that if it had been him, he would have done everything he could — he would have put everything on the line to protect her: “You could not protect her.”
Yang-myung walks away vowing to himself to claim and protect her in the next lifetime.
 
The queen dowager practically cackles her satisfaction to Nok-young. Can somebody get this lady a mustache, so she can twirl it? She’s in such great spirits that she readily agrees to hear a request, happy to bestow her favors on Seongsucheong. But she balks when Nok-young asks to leave for a spell, not wanting to let go of her most skilled shaman. Nok-young assures her that she will return, and that she needs time to recover her powers because causing a death takes its toll on one’s spiritual energies. Yeah, it’s called having a soul.
And then… Yeon-woo opens her eyes. In her grave. Yeesh, I knew we were probably going to get a Romeo & Juliet-style death-fakeout, but I didn’t think they’d actually bury her alive. Aboveground, Nok-young stands guard as a gravedigger shovels through the dirt.
 
Yeon-woo realizes where she is and starts to panic, burning through her oxygen supply quickly. Nok-young urges the man to dig faster, and just as Yeon-woo’s about to pass out, an unexpected visitor shows up. It’s a girl with bare, bloodied feet, clutching wildflowers: Seol. Aww. That brings a surprise tear to my eye, that Seol clearly went through hell to run away and pay her last respects.
Inside the coffin, Yeon-woo starts to fade out, crying out for her parents and the prince as her life flashes before her eyes like scratchy scenes on a broken television… barely registering that she’s made it out to fresh air.
When she awakens again, she’s in a room being watched by a precocious little girl — the girl Yang-myung previously saved in the marketplace. Her name is Jan-shil, and she calls for her mistress.
 
Seol rushes to greet her excitedly, but Yeon-woo looks at her blankly, wondering who she and Nok-young are. Where is she? “And who… am I?”
Nok-young is shocked — this wasn’t an intended side effect — but I suppose this presents the perfect opportunity to reinvent their story. She tells Yeon-woo she’s a shaman, having collapsed after a shamanic rite that sapped her energy and must have also taken her memory.
 
Yeon-woo asks after her family, and Nok-young tells her she doesn’t know — that she took her in after she saw her wandering the streets, sensing spiritual energy within her. Yeon-woo doesn’t remember anybody but the thought hurts nonetheless; she tears up, asking if she was abandoned by her family after they realized she had powers. Nok-young urges her to forget her past and focus on her life now.
In the palace, Hwon crosses paths with Minister Yoon, who offers up some insincere words about having been worried about him. Two can play this game, and Hwon laughs it off, acting as though he’s taken the philosophical route regarding life and death. But his tone of warning leaves neither in any doubt that they stand as political opposites, each a danger to the other.
 
With the opposition twisting Yeon-woo’s illness into a political tool, they are able to get Minister Heo exiled, as punishment for allegedly trying to sneak a sick daughter into being princess. He leaves Yeom with words of warning to not hold this against the king, and to patiently await the day he may be called to serve Hwon. At least it’s fortunate that the trumped-up accusation won’t be held against Yeom, though I’m sure he’ll wear the tarnish for a while.
They’re alerted to news that Mom is at it again and find her lovingly feeding a stray girl she must have picked up off the streets, calling her Yeon-woo. Apparently this is not the first time, and Yeom ushers the girl away while Minister Heo reminds her that Yeon-woo is dead. Mom comes back to her senses and breaks down in sobs.
With the help of an ally (who knows of their situation), Nok-young ushers her girls — Yeon-woo, Seol, Jan-shil — away in secret. Yeon-woo hangs back, sensing that her family may still be here and that leaving will make reunion impossible.
As the man sends them off, he thinks, “With the moon hidden away, this country’s darkness will grow deeper. But if it waxes, it will wane, and when it wanes, it will wax again. That is the moon.” He wishes them safe until that day comes.
Nok-young recalls her dream-vision and asks Ahri if this is the solution she’d indicated — if this is the two-birds-with-one-stone answer to saving both the girl and Seongsucheong. Whether she returns to the palace or continues on as a shaman is now up to Yeon-woo and her fate.
Bo-kyung prepares to take her place as the new princess bride, and her mother gives her some last reminders about how this was her place from the start, that she is not a replacement but the original owner retrieving what was hers. Bo-kyung assures her that she will not let anyone take anything from her, and that she will be on her guard.
 
Princess Min-hwa, meanwhile, huddles in her bed, weighed down by guilt and fear over her part in Yeon-woo’s death. True, she didn’t do anything, but the queen dowager has skillfully manipulated her into thinking her girlish wishes were responsible. It’s a clever way to tie the princess to her side, by making her think she’s played a bigger role than she has.
Hwon dutifully makes his bows to the bride’s family, but as he waits for her to emerge, he looks up at the sky and holds out a hand to the drizzle. He doesn’t even notice Bo-kyung, lost in thought over the memory of Yeon-woo describing her name as meaning light rain, or foggy mist.
 
It’s a mist not unlike the haze of clouds currently covering the sun, for a moment of symbolism. (All this simplistic symbology is starting to wear thin, but moments like this are a nice touch.)
Bo-kyung registers his inattention with disappointment. Elsewhere, Yang-myung also holds his hand out to feel the droplets, remembering Yeon-woo.
And then…some time later, another hand reaches out for the mist, this time wearing king’s robes.
Hyung-sun attends on King Hwon (Kim Soo-hyun!!), who wryly reminds him of his habit of talking too much. Some things never change. He declares that he’s in the mood for a game of golf, and all the court officials are rounded up to fawn over his prowess with the club.
But as Hwon lines up a ball, he frowns in pain and momentarily touches hand to heart. He brushes it aside, though, and compliments his opponent on a good game. It’s amusing to watch the looks of nervousness and horror that cross the other ministers’ faces at the winner for claiming victory.
The winning minister says modestly that he just won because this hole was a teeny bit larger than the others, and Hwon lets out a jolly laugh… which then turns stern as he asks pointedly if the minister knows where the biggest hole in the palace is. Laughter turns uneasy — does he have another meaning? Hwon says he’ll show them what he means, then heads into a building filled with records.
Hwon finds what he’s looking for and takes out a chest containing appeals to the king. He starts reading.
 
He summarizes their contents in a deeply sarcastic voice: citizens unfairly punished, people given unfair loans that get their land taken from them, officials bribing their way into government. He demands to know why these appeals were kept from him.
They attempt lame excuses about reviewing the reports first, saying they were trivial enough to handle without him. Hwon challenges, “Who can call these matters trivial? Who told you to stand judgment over the citizens’ suffering?” This interference of communication between the king and his people, he angrily declares, is the palace’s biggest hole.
The ministers retire to rant among themselves. Minister Yoon has been silent throughout all these events, perhaps viewing Hwon as the threat he is, while the others are more dismissive, saying he has finally grown up.
One minister derides the king’s newfound passion, saying he ought to save that for the bedroom. Apparently Hwon has refused to share a bed with the queen all these years, and the ministers speculate that he’s faking his infirmity as an excuse to keep up the separation. One minister argues that he isn’t faking, because he can’t hide his pained expressions when his heart acts up.
They mull over the problem of what to do with the king, wondering if they can send him away on the pretext of recovering his health. Minister Yoon finally speaks to express approval, saying that it’s better to occasionally loosen your tight grasp on a dog’s neck rather than keeping it in a stranglehold, in order to get the dog under your control.
Minister Yoon presents a proposal to the dowager queen, saying that many are suggesting that the king take a royal concubine, perhaps somebody he cares for who can bear a future prince. The dowager queen balks — the prince must be born from the queen. Minister Yoon points out that the king refuses to consummate the marriage with the queen, meaning that without a concubine they may have no direct successor. And if that’s the case, there’s always the threat of Prince Yang-myung, who is quietly amassing supporters…
That’s enough to rattle the dowager queen. Minister Yoon proposes that she help him take over some of the king’s authority, since she’s the only one with the ability to check the king.
 
Minister Yoon does this by proposing that the king temporarily move palaces, but Hwon cuts right to the heart of the matter: If the king vacates the main palace, during his absence it is the king’s father-in-law who becomes responsible for court matters. He says this in that deceptively playful way that sounds pleasant but is really his way of informing Minister Yoon that he’s on to his power-grab attempt. In fact, when he’s informed that Grandma wants a chat, he guesses she’s about to push the same point with him, knowing they’re conspiring together.
On his way to see the dowager queen, Hwon crosses paths with Queen Bo-kyung (Kim Min-seo). She greets him warmly, but his face grows cold and he passes silently.
 
They are brought before Queen Mother and Queen Granny, who urge Hwon to go away for a while, for his health’s sake.. Grandma brings up the lack of royal heirs, to which Bo-young tearily apologizes. Queen Mother assures her it’s not her fault because the king is ill, while Hwon sits there stone-faced.
He firmly declines the suggestion, so Grandma argues that neglecting his health is neglecting his royal duty. Hwon makes the barbed comment that it would also be negligent of the king to leave state matters in the hands of his extended family, which Grandma understands to be aimed at her favoritism regarding her own kinfolk.
 
She’s offended (or rather, acts offended as though his charge is unjust) and declares that there’s only one way to respond: hunger strike. Taking on the tone of a righteous martyr, she announces that if the king will insist upon misunderstanding her motives, she will cease eating and count down the days to her death.
Hwon is cornered, all right. I’m sure he doubts very much that the old bat will die, but politically, he’s been maneuvered between rock and hard place. Then to add to the matter, Bo-kyung prostrates herself in front of his doors, crying piteously for him to let go of his anger, laying all the blame on herself. She refuses to rise until his tiff with Grandma is resolved, and he tells her she can stop because he’s already decided to reconcile.
 
Bo-kyung rises and stumbles, conveniently right into Hwon’s arms. There’s been no indication that she’s being deceitful, but I think we know enough of her to suspect she’s in actress mode, and Hwon knows it too. He comments how fortunate she must be to have the queen dowager backing her inside the palace, and her father outside it.
Bo-kyung stiffens to realize he’s sharper than he seems, and she tries to move away. He tightens his hold on her and reminds her of words he’d said before, leaning in close like a lover. His tone is sweet, but his words contemptuous — that she and her family may set out to gain everything, but don’t bother trying to win his heart, “Because you can never have it.” He says that last with a cynic’s laugh.
 
Bo-kyung looks stricken in front of witnesses but when she’s alone, her face twists into a sneer. She trembles angrily and reminds herself that Yeon-woo is dead, and that shebelongs here.
Bo-kyung is visited by Princess Min-hwa (Nam Bora), who’s as bright and cheery as ever. Bo-kyung plasters a smile on her face and when Min-hwa asks about her appeal to the king, Bo-kyung says demurely that her insufficient virtue has prevented them from conceiving an heir. Min-hwa says it’s not virtue that’s needed but affection, and that the reason her brother doesn’t visit Bo-kyung’s bed is probably ’cause he doesn’t love her. Ha, so I see she hasn’t learned tact in all these years.
 
Min-hwa has happy news to share, and says that a date has been decided for when she and her husband can share quarters. Essentially she’s been married for a while (I presume while she was still very young), but they haven’t consummated the union. Bo-kyung deflates at this, jealous of the princess.
Min-hwa arrives outside her husband’s quarters, but pauses to write something on a piece of paper. It’s the aforementioned auspicious dates, and she adds to the list. HA. You’ve gotta love a girl who’s eager for some loving.
She enters his room and finds him asleep. Shyly, she tells him her news, that today’s one of the dates… only said husband is actually outside, having just arrived at his own door. Sleeping Dude gets up, interrupting her, and she whines in annoyance, “Yang-myung oraboni!” Hahaha. (Also: Jung Il-woo!!)
 
Yang-myung can immediately tell she’s messed with the dates, and she’s so miffed at his brotherly teasing that she storms out, not even stopping to chat with her beloved husband. (It’s Yeom!) In a huff, she tosses Yang-myung’s shoes onto the roof. Ha, so petty.
Yeom wonders why Yang-myung’s always picking on his sister, and he says it’s just cause she annoys him. Heh. But there’s added sadness here, and the mood briefly dims as Yang-myung sighs over his friend being stripped of his wings when he was destined for greater things; it makes him blame Min-hwa and Hwon.
Yeom has a brighter perspective on it, saying that the princess is his family’s savior, and it was through her influence that his family was allowed to live. If ever there was an apt situation to use the phrase “giving the illness, then the cure,” this is it.
 
When the friends emerge from the room, Yang-myung finds his shoes gone, but hilariously produces a spare pair from his bag. It’s because he’s a frequent traveler, but I love the idea that the princess’s petty revenge is so easily thwarted.
Mention of the king brings a wistful look to Yang-myung’s face, and he asks Yeom if he wonders what Yeon-woo would look like now, if she’d lived. They’re all aging, but in his mind she’s still 13.
So on his slow walk home, he imagines the 13-year-old Yeon-woo at his side. She tells him — as she once did before — that the king waits for him at the palace.
He asks, “Will he really be waiting for me when I’ve given him such pain?” She tells him, “He’s waiting.” She asks him to protect the king.
 
Yang-myung finds a crowd of men waiting for him at his front door, and they recognize him immediately. He turns and runs, managing to evade being spotted by the crowd.
As he emerges from hiding, he thinks to himself, addressing his words to Yeon-woo, “Are you happy now? This is my way of protecting the king.” Ah, I suspect these are the supporters Minister Yoon alluded to, who are eager to back Yang-myung’s claim to the throne. He, however, wants none of it.
That night, Hwon sleeps fitfully. He hears Yeon-woo’s dying words about how none of this is his fault, which conflict with the dowager queen’s insistence that it is. Then there are Yang-myung’s angry accusations that he did nothing to protect Yeon-woo. He wakes, and those words ring in his years.
This is a recurring dream, as Woon — keeping silent guard in his chamber — deduces. They head outdoors for some air, and Hwon explains the meaning behind this building’s name (Silver/Hidden Moon). When his father had it built, the moon above the pond was so beautiful he wanted to treasure that image, so that on nights when the moon is hidden, he could come here and look upon it.
Hwon adds that once there was a moon he hid here, and that while the sun and moon can’t share the same sky, they can be seen together in the same pond. And in the water’s reflection, we see the moon hovering over Hwon’s shoulder.
In the woods, Nok-young is in the middle of a rite when the candles are snuffed out by some unseen force. She senses something in the air, something unsettling and powerful. Jan-shil delivers a letter from a man who warns her that the spiritual energy of the heavens is shifting, and that they will meet soon. It’s time.
 
Several days later, Nok-young heads to meet him, with the same three girls trailing in her wake. There’s Seol, all grown up now (Yoon Seung-ah), with Yeon-woo (now named Wol, or Moon) keeping her face hidden.
Arriving at the dock, she finally comes out from under the covering, revealing adult Yeon-woo (Han Ga-in).